1.0Jean-Claude Golvinhttps://jeanclaudegolvin.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="Jo8WzZ41kw"><a href="https://jeanclaudegolvin.com/en/gallery/qasr-el-sagha/">Qasr el Sagha</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://jeanclaudegolvin.com/en/gallery/qasr-el-sagha/embed/#?secret=Jo8WzZ41kw" width="600" height="338" title="“Qasr el Sagha” — Jean-Claude Golvin" data-secret="Jo8WzZ41kw" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://jeanclaudegolvin.com/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://jeanclaudegolvin.com/jpg/0183_1997 [D_ANT_ÉGY_Fayoum].jpg600424Aerial view of Qasr el Sagha. The drawing is in landscape format. It is organized within a frame drawn in ink. Inscriptions and traces of watercolor are visible in the margins. Inscriptions appear on the reverse. Built on the edge of the Libyan desert, the city extends inside a rectangular enclosure pierced by two gates. Dwellings are arranged in four blocks of five rows. On the horizon, the temple can be seen, consisting of a single large hall.