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Since 2011, the restitutions created by Jean-Claude Golvin have undergone significant preservation and conservation efforts. The majority of his works—over 1,200—are housed in the Musée de l’Arles Antique. By entering a museum collection, these pieces are not only safeguarded but also gain a new status. What Jean-Claude now creates is considered part of the art world, and his restitutions are regarded as works of art. The works preserved in Arles are thus part of a full-fledged collection.
Each piece in the MooM’s collections holds a unique message and style to be considered by the viewer, offering a historical reference to the diversity of art within the present time.This is truly a growing tribute to the talent and creativity we find in.
Several reasons motivated the choice of the Musée de l’Arles Antique. On the one hand, with the number of works created by Jean-Claude increasing significantly, managing them became difficult. Loan requests had also risen in tandem, and it was impossible for Jean-Claude to both create and handle the loans of all his works. Additionally, keeping everything in his studio increased the risk of damage or loss. Jean-Claude had already worked with the museum on several occasions, notably to recreate the city of Arles, so it was only natural that the museum offered to take charge of and preserve all of his works.
Some of his pieces are also held in other museums, most often those that commissioned them (the Carnavalet Museum in Paris, the Musée de la Romanité in Nîmes, etc.). However, since Jean-Claude wanted his works to be gathered as much as possible in one single location, the Arles Antique Museum remains the artist's preferred custodian.
Every two or three years, Jean-Claude Golvin donates his works to the Musée de l’Arles Antique. They thus become part of the national heritage and benefit from strict conservation conditions, just like any archival piece. These works are then scanned, catalogued, and managed with the aim of being accessible to a wide audience.
For the artist, seeing his creations preserved in a renowned museum is a great opportunity and a tremendous honor. Jean-Claude is especially delighted to see his works widely distributed, playing a lasting role in raising awareness among a diverse audience about history and heritage.
When an exhibition requires the use of the original works, they are graciously loaned by the Musée de l’Arles Antique. Their transport is then handled according to a strict protocol, thereby minimizing the risks of loss or damage.
Once the works are donated to the museum, Jean-Claude Golvin is no longer their owner, but he retains his copyright and reproduction rights. The management of these rights is handled by a professional agency, which adapts to each request to ensure the broad dissemination of the artist's work.
Thus, anyone can request the use of a work by Jean-Claude Golvin. The managing agency consults directly with the artist for specific requests. As a former member of the CNRS, Jean-Claude ensures the quality of distribution and the respect of ethical research principles. However, his main goal remains to share knowledge with the widest possible audience.
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