Antinoopolis (Antinoea)
Aerial view of Antinoopolis (Antinoe). The drawing is in landscape format. It is organized within a frame drawn in ink. …
Jean-Claude Golvin’s work, with its vast volume and variety of subjects and eras, caters to audiences of all ages and lends itself to numerous applications.
Although each restitution is based on solid scientific and cultural documentation and knowledge, the artist also contributes to public archaeology. Therefore, no prior knowledge is required to appreciate his creations and learn more about our history.
Books, documentaries, permanent or temporary exhibitions, video games, illustrations for articles or magazines—each year, his work is adapted into hundreds of formats around the world.
Jean-Claude Golvin typically participates in one exhibition per year, with some dedicated entirely to his work. Notably, the exhibition titled "Dévoiler Nemausus - Jean-Claude Golvin, un architecte et des archéologues," held at the Musée de la Romanité in Nîmes from December 2022 to March 2023, was entirely focused on him. The first exhibition solely dedicated to his work took place at the Museum of Leiden (Netherlands) in 1990.
However, Jean-Claude Golvin often participates in these exhibitions as an expert in graphic restitution and a former CNRS researcher. His artistic talent is as recognized as his research work. Numerous museums, both in France and abroad, seek his expertise, primarily to reconstruct a city or monument from a specific period, but also to illustrate scenes of daily life. For example, in the exhibition "Vivre et mourir en Égypte, d'Alexandre le Grand à Cléopâtre," presented at the Musée d'Aquitaine in Bordeaux from June to November 2024, Jean-Claude created a frieze of six works depicting the Fayoum (Egypt) and its inhabitants.
Each piece in the MooM’s collections holds a unique message and style to be considered by the viewer, offering a historical reference to the diversity of art within the present time.This is truly a growing tribute to the talent and creativity we find in.
Jean-Claude Golvin’s restitutions are used worldwide by various publishers and journals. Today, there are no fewer than 200 articles and books where Jean-Claude has contributed as an author, co-author, or illustrator. When including books and journals that have featured his work without his direct involvement in writing, this number can easily be tripled.
Jean-Claude’s contribution is significant to both the research and media worlds. His works are commissioned by major newspapers for articles dedicated to specific cities or themes.
Currently, he has authored or co-authored more than twenty published books, mostly with Éditions Errance & Picard and later Actes Sud. Some of these are translated into multiple languages (English, Chinese, etc.). Among them, the best-selling book is L'Antiquité retrouvée, published in 2003, with its 5th edition released in 2023.
In addition to the traditional use of his works, Jean-Claude Golvin has had the opportunity to see his art featured in new media.
In 2015, he was approached by the video game studio Ubisoft and provided numerous works for the game Assassin's Creed Origins, released in 2017, which recreates Ptolemaic Egypt. This game became one of the bestsellers in the video game industry, with around 200 million copies sold worldwide as of 2022. He also contributed to the "Discovery Tour," an educational game. Jean-Claude was once again called for the creation of *Assassin's Creed Valhalla*, which was released in 2020.
Jean-Claude Golvin’s research has led him to deliver numerous lectures and participate in scientific conferences. On average, he gives around two public lectures per year. His role as the director of the Franco-Egyptian Center for the Study of the Karnak Temples allowed him to participate in many international symposia alongside other Egyptologists. Jean-Claude has also written numerous articles for the Institut de France (Académie des Inscriptions et Belles Lettres).
After returning to France, he attended the International Congress of Archaeology on North Africa and has regularly participated in the International Symposia at the University of Caen. Jean-Claude Golvin has supervised several doctoral theses and has been a member of various examination committees.
Aerial view of Antinoopolis (Antinoe). The drawing is in landscape format. It is organized within a frame drawn in ink. …
Aerial view of an Aswan obelisk transport ship. The drawing is in landscape format. It is organized within a frame …
Peeling view of an obelisk extraction scene. The drawing is in square format. It is framed in ink. The scene …
Aerial view of the Tell Dabaa’ royal palace in Avaris. The drawing is in landscape format. It is organized within …
Aerial view of mastaba II at the Qila el Dabba necropolis in Balat. The drawing is in landscape format. It …
Aerial view of the Behbeit el Hagar Iseum. The drawing is in landscape format. It is organized within a frame …
Aerial view of the fortress of Bouhen in Sudan (formerly Nubia) during the Middle Kingdom. The drawing is in landscape …
Front view of the Colossus of Rhodos (Rhodes) under construction. The drawing is in portrait format. It is organized within …
Front view of the Alexandria lighthouse (Alexandria). The drawing is in landscape format and has no frame. It is painted …
Front view of the Alexandria lighthouse (Alexandria). The drawing is in landscape format and has no frame. Inscriptions appear on …
Aerial view of the Lassales villa in Montmaurin. The drawing is in portrait format. It is organized within a frame …
Aerial view of the Maison du Paon in Vasio (Vaison-la-Romaine) in 70-100. The drawing is in landscape format. It is …
Aerial view of Maison du Paon, rue de la cour, Vasio (Vaison-la-Romaine). The drawing is in landscape format. It is …
Aerial view of the Aïn Argoub wine factory in the 3rd-4th c. The drawing is in landscape format. It is …
Aerial view of the Manio at Carnac. The drawing is in portrait format and has no frame. Inscriptions appear on …
Aerial view of the Kerlescan alignments in Carnac. The drawing is in landscape format and has no frame. Inscriptions appear …
Plan view of the Lascaux cave with the location of the paintings. The drawing is in landscape format. It is …
Front view of the Lascaux cave. The drawing is in portrait format. It is framed in ink. Inscriptions appear on …
Three cross-sectional views of the evolution of the Lascaux cave. The drawings are in landscape format, the whole is in …
Aerial view of Pincevent in 13000 BC. The drawing is in landscape format and has no frame. Inscriptions appear on …
Front view of the Dyrrachium lighthouse (Durrës). The drawing is in portrait format and has no frame. Inscriptions appear on …
Aerial view of the Beni Rhenane mausoleum under a stormy sky. The drawing is in portrait format. It is framed …
Front view of a medracen. The drawing is in landscape format. It is arranged within a frame, partly drawn in …
Front view of the interior of an oil mill in Brisgane. The drawing is in portrait format. It is framed …
Front view of the Caesarea aqueduct (Cherchell). The drawing is in landscape format. It is framed in ink. Traces of …
Front view of the Cirta aqueduct (Constantine). The drawing is in portrait format. It is framed in ink. Traces of …
Front view of the el Kantara bridge in Cirta (Constantine). The drawing is in portrait format. It is framed in …
Aerial view of Cuicul (Djémila) in the 5th century. The drawing is in landscape format. It is framed in ink, …
Front view of the Kroub mausoleum at Es Souma, 3rd or 2nd century BC. The drawing is in portrait format. …
Aerial view of the Christian quarter of Hippo Regius (Annaba), 5th c. The drawing is in landscape format. It is …
Aerial view of the Lambaesis camp (Lambèse) in the 3rd century. The drawing is in landscape format. It is framed …
Aerial view of Rapidum (Sour Djouab), early 3rd c. The drawing is in landscape format. It is arranged within a …
Aerial view of the Sitifis cirque (Sétif). The drawing is in landscape format. It is organized within a frame drawn …
Overhead view of the enclosure at Thevestis (Tebessa), 6th c. The drawing is in landscape format. It is framed in …
Aerial view of Thamugadi (Timgad). The drawing is in landscape format. It is organized within a frame drawn in ink. …
Overhead view of the interior of the library at Thamugadi (Timgad). The drawing is in portrait format. It is framed …
Aerial view of Thamusida. The drawing is in landscape format. It is organized within a frame drawn in ink. Traces …
Aerial view of the Basilica of Saint Crispin in Thevestis (Tebessa). The drawing is in portrait format and has no …
Aerial view of Tipasa. The drawing is in portrait format, organized within a frame drawn in ink. Traces of watercolor …
Aerial view of the Royal Mausoleum of Mauretania, known as the Christian Tomb near Cherchell. The drawing is in portrait …
Front view of a female toilet scene. The drawing is in portrait format. It is framed in ink. Inscriptions and …
Aerial view of La Saalburg fort. The drawing is in portrait format. It is arranged within a frame drawn in …
Aerial view of the sigillia workshop district in Rheinzabern. The drawing is in landscape format. It is arranged within a …
Frontal view of two musicians. The drawing is in portrait format. It is organized within a frame drawn in ink. …
Front view of a banquet being served at an inn. The drawing is in portrait format. It is framed in …
Oblique aerial view of a caravan in a thunderstorm. The drawing is in landscape format. It is organized within a …
Aerial view of Chesters Fort and Hadrian’s Wall. The drawing is in landscape format. It is organized within a frame …
Aerial view of Fishbourne’s Flavian palace. The drawing is in landscape format and has no frame. Inscriptions are visible on …
Aerial view of the construction principles of the Belgian wall and the opus gallicus. The drawing is in portrait format …
Front view of Cypros, Herod’s fortress near Jericho. The drawing is in landscape format. It is framed in ink. Traces …
Front view of Herod’s tomb on the Herodion. The drawing is in portrait format. It is framed in ink. Traces …
Aerial view of the Niousserê solar temple in Abu Gorab. The drawing is in landscape format. It is organized within …
Aerial view of the Abu Roach pyramid. The drawing is in landscape format. It is organized within a frame drawn …
Aerial view of Abu Simbel. The drawing is in landscape format. It is organized within a graphite frame. Traces of …
Front view of the interior of the great temple at Abu Simbel. The drawing is in portrait format. It is …
Aerial view of the pyramids and solar temples of Taposiris Magna (Abousir). The drawing is in landscape format and has …
Flayed view of the Osireion at Abydos. The drawing is in landscape format. It is organized within a frame drawn …
Aerial view of the temple of Sety I at Abydos. The drawing is in landscape format. It is organized within …
Aerial view of the Abydos necropolis and the Temple of Osiris. The drawing is in landscape format. It is organized …
Overhead view of a pilgrimage to Abydos. The drawing is in landscape format. It is framed in ink. Inscriptions and …
Aerial view of the Temple of Ramses II at Abydos. The drawing is in landscape format. It is organized within …
Aerial view of Nero’s temple at the Tehneh el Gebel site in Achôris. The drawing is in landscape format. It …
Aerial view of the Aïn El Birbaya Dakhla temple. The drawing is in landscape format. It is organized within a …
Front view of the Aïn Asil pottery kilns. The drawing is in landscape format. It is organized within a frame …
Aerial view of Aïn Asil. The drawing is in landscape format and has no frame. The reverse side features inscriptions. …
Aerial view of Aïn Muftela in the Baharia oasis. The drawing is in landscape format and has no drawn frame. …
Aerial view of Alexandria (Alexandria) in the 2nd century. The drawing is in landscape format and has no frame. Inscriptions …
Aerial view of the Alexandria lighthouse (Alexandria). The drawing is in landscape format and has no frame. The lighthouse overlooks …
Aerial view of Alexandria’s Canopic Way (Alexandria), looking west. The drawing is in portrait format. It is organized within a …
Front view of the Alexandria (Alexandria) lighthouse at night. The drawing is in landscape format. It is framed in ink. …
Aerial view of Alexandria (Alexandria). The drawing is in landscape format and has no frame. Inscriptions appear on the reverse. …
Front view of the Kom el Chougafa necropolis in Alexandria (Alexandria). The drawing is in portrait format and has no …
Front view of the Kom el Chougafa necropolis in Alexandria (Alexandria). The drawing is in landscape format. It is a …
Front view of the Alexandria lighthouse (Alexandria). The drawing is in landscape format and has no frame. It is painted …
Front view of the Alexandria lighthouse (Alexandria). The drawing is in landscape format and has no frame. Inscriptions appear on …
Aerial view of Alexandria (Alexandria). The drawing is in landscape format. It is organized within a frame drawn in ink. …
Aerial view of Alexandria (Alexandria), in the High Kingdom. The drawing is in landscape format. It is organized within a …
Aerial view of Alexandria (Alexandria) from Lake Mareotis. The drawing is in landscape format. It is organized within a frame …
Nîmes, arrival at the Cadereau Gate (n°926) Aerial view of the Porte du Cadereau, late 1st century B.C.
The Porte de France (n°952°) Aerial view of the Porte de France, late 1st century BC
Arrival in Nîmes on the Via Domitia towards the Porte Auguste. Necropolis and workshops (n°923) Aerial view of the Porte …
Nemausus (Nîmes), Villa Roma and Augusteum (n°998) Villa Roma (near the Temple of Diana?), late 1st century B.C.
The Augusteum, general view (unnumbered) General view of the Augusteum (at the Jardins de la Fontaine?), late 1st century B.C.
Aerial view of the Temple of Alexander the Great in Farafra. The drawing is in landscape format and has no …
Front view of Farafra. The drawing is in landscape format and has no frame. Inscriptions are visible in the margins. …
Aerial view of the temple of Sety I at Qanaïs. The drawing is in landscape format. It is arranged within …
Aerial view of Antinoopolis (Antinoe). The drawing is in landscape format. It is organized within a frame drawn in ink. …
Aerial view of an Aswan obelisk transport ship. The drawing is in landscape format. It is organized within a frame …
Peeling view of an obelisk extraction scene. The drawing is in square format. It is framed in ink. The scene …
Aerial view of the Tell Dabaa’ royal palace in Avaris. The drawing is in landscape format. It is organized within …
Aerial view of mastaba II at the Qila el Dabba necropolis in Balat. The drawing is in landscape format. It …
Aerial view of the Behbeit el Hagar Iseum. The drawing is in landscape format. It is organized within a frame …
Aerial view of the fortress of Bouhen in Sudan (formerly Nubia) during the Middle Kingdom. The drawing is in landscape …
Front view of the Colossus of Rhodos (Rhodes) under construction. The drawing is in portrait format. It is organized within …
Front view of the Alexandria lighthouse (Alexandria). The drawing is in landscape format and has no frame. It is painted …
Front view of the Alexandria lighthouse (Alexandria). The drawing is in landscape format and has no frame. Inscriptions appear on …
Aerial view of the Lassales villa in Montmaurin. The drawing is in portrait format. It is organized within a frame …
Aerial view of the Maison du Paon in Vasio (Vaison-la-Romaine) in 70-100. The drawing is in landscape format. It is …
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